The Sundays - Here's Where the Story Ends... 35th Anniversary 1990-2025 (6CD) (2025)

K SPECIAL

The Sundays - Here's Where the Story Ends... 35th Anniversary 1990-2025 (6CD) (2025)

This year (2025) marks the 35th anniversary of the legendary debut album 'Reading, Writing and Arithmetic' released by The Sundays on 15th January 1990.

The Sundays were an English alternative rock band. The band's lineup consisted of lead vocalist Harriet Wheeler, guitarist David Gavurin, bassist Paul Brindley, and drummer Patrick Hannan.

Having met while attending Bristol University, Wheeler and Gavurin formed the band in 1988. The Sundays secured a recording contract with Rough Trade Records. Their debut single was "Can't Be Sure".

The Sundays - Can't Be Sure (2020 HD remaster)

https://youtu.be/Il6hV44z-xQ?si=7JzbaASHCvp048M8

Their first album, Reading, Writing and Arithmetic, was released in 1990 and became a UK top 5 hit. The album's lead single "Here's Where the Story Ends" was a number one hit on the Billboard Modern Rock Tracks chart in the United States.

The Sundays - Here's Where the Story Ends (Official Music Video) (HD Upgrade)

https://youtu.be/2HV5KfE4xMA?si=KktsPxVh_BUyrYqC

The Sundays' next single, "Goodbye", did not emerge until 1992. Their next album, Blind, arrived the same year, reaching the UK top 15. The single "Love" reached number 2 on the US Modern Rock charts. In 1997, their third album, Static & Silence, was followed by the release of their most successful single, "Summertime", which made the UK top 15.

The Sundays - Summertime (Official Remastered Music Video)

https://www.youtube.com/watch?v=QNYxj8rkiNY

Vocalist Harriet Wheeler and guitarist David Gavurin had met as students at Bristol University in the mid-1980s. Wheeler was from Reading, the daughter of an architect and a teacher, and studied English literature. Gavurin was from Wembley and actively pursued a degree in the Romance languages, particularly French and Spanish. The two fell in love and began living together. Following graduation, they wrote music in their free time while collecting unemployment benefits. Previously, Wheeler had played gigs with Cruel Shoes, an early incarnation of the band Jim Jiminee; otherwise, the couple had no musical background. Commenting on his desire to compose, Gavurin said, "It was something I'd always wanted to do, although I never wanted to be in a band when I was younger, like many kids do. It just dawned on me gradually." Wheeler displayed similar feelings: "There was never a time I wanted to be incredibly famous, or in a pop group," she said. "It just seemed a great thing to do to spend time working on something that's your own."

After the couple completed several songs – and migrated to London - they enlisted the support of bassist Paul Brindley and drummer Patrick Hannan, who had also attended Bristol University. Hannan's brother, Nick, had also been a member of Jim Jiminee, which briefly featured Wheeler as vocalist (see paragraph above). The band chose the name "The Sundays" as it was the only one everyone could agree upon. Demo tapes were sent out to several London clubs after the group felt energized by their efforts; Gavurin stated in a Rolling Stone interview that "by the end of the year we were thinking, 'Hang on a minute, some of this [music] is good!'" Responses to the tape were enthusiastic and an employee at Vertigo Club offered the band an opening slot for an upcoming show in August 1988. "By chance there were three reviewers from the top music papers there," said Wheeler. "They were supposed to review the main band, but instead they wrote about us." The group subsequently became the focus of a record label bidding war. They eventually signed with Rough Trade Records and had a distribution deal signed for the United States with DGC Records.

1989-1990: Reading, Writing and Arithmetic

The Sundays released their first single "Can't Be Sure" in January 1989. It topped the British indie charts and received acclaim as one of the best singles of 1989. The group performed three songs in a session with popular disc jockey John Peel. These songs would later turn up on their debut album, Reading, Writing and Arithmetic. The group worked on their debut for over a year. "A lot of bands who get signed, who have been playing the circuit for years, have 30 songs for the first album," said Gavurin. "But we didn't have enough for our first album, let alone our second. We can't write to deadline. You can't force a whole load of songs out quickly." Asked whether the band felt pressured when working on the album, Wheeler responded, "No, because to start off with, we're far more critical of ourselves than anyone else, and that's more a concern to us than what the press think." Gavurin also commented: "The main pressure we felt was with the single, and even then, we thought, well, they're either going to like it or they're not, and there's not much we can do to influence that."

Reading, Writing and Arithmetic was released in January 1990 and became a commercial success, reaching number 4 on the UK charts and peaking at number 39 on the Billboard 200 in the United States. It went on to sell over half a million copies worldwide. Its distinct Englishness in lyrics, augmented by Harriet Wheeler's accent, alongside their lighter-than-air guitar pop, influenced the nascent Britpop scene, notably impacting bands like Sleeper. The hit single "Here's Where the Story Ends" also gained considerable success in the USA, propelled by extensive radio play and MTV rotation.

Making The Sundays: Reading, Writing and Arithmetic - Classic Pop Magazine

https://www.classicpopmag.com/features/classic-album/classic-album-the-sundays-reading-writing-arithmetic/

The Sundays devoted nearly a year to an "exhausting" promotional tour, which encompassed America, Europe, and Japan. The tour was considered successful, although it was not without some mishaps; a London show had to be rescheduled due to Wheeler losing her voice and the group experienced some amusement when a Dallas, Texas, show was advertised with the slogan "See The Sundays on Sunday with ice-cream sundaes"

1991-1993: Blind

The band experienced some hardships leading up to the recording of their second album. In 1991 Rough Trade Records went bankrupt, which caused the band to sign with Parlophone Records in the UK. Their debut went out of print in the UK and would stay that way until 1996. Constant touring coupled with their decision to manage themselves hampered the group's creative output, which was already slow due to Gavurin and Wheeler, the main songwriters, "being chained by pokiness and perfectionism when it [came] to writing and recording music." Additionally, the band kept a "low public profile", which fuelled rumours that the group had disbanded.

The Sundays eventually released a new single, "Goodbye", a minor hit, in Autumn 1992. The release came almost three years after their last UK show. The "Goodbye" B-side, a cover of The Rolling Stones' "Wild Horses", also appeared on the US release of Blind as well as in the movie Fear (1996), on the 1999 soundtrack album for the popular television series Buffy the Vampire Slayer, and in the episode 01x01 of the series Friends from College (2017).

The Sundays - Wild Horses (Official Music Video)

https://youtu.be/x7GE90n6XX8

Their next album, entitled Blind, was finally released in October 1992. The album experienced commercial success similar to their debut when it peaked at number 103 on the Billboard 200, and sold nearly half a million copies. Critical reception was also positive, but some critics thought the album lacked the quality songwriting of its predecessor. Despite Blind's initial appeal with audiences, it drifted off the charts by the summer of 1993.

The Sundays toured Britain in the winter of 1992. The shows were "rapturously received by fans starved of fresh product or gigs." An American tour was greeted with sold-out shows. Gavurin explained that they weren't necessarily attempting to promote the new album: "A lot of people didn't see us the first time we played over here, and they want to hear earlier material. So we're playing half and half." In the end the tour was cut short in light of exhaustion and homesickness.

In December 1992, The Sundays recorded The Black Sessions a live concert for the French radio station France Inter in Paris, France and was broadcast in FM stereo.

1994-1997: Static and Silence

The band holidayed in Thailand and, upon returning to England, "put their music career on the back burner for a time." During this time the only appearance of the band was their cover of "Wild Horses" by The Rolling Stones appearing in a 1994 American Budweiser television commercial.

Gavurin and Wheeler expressed a desire to settle down. Wheeler gave birth to the couple's daughter, Billie, in March 1995. They also built a recording studio in their home, not only to save on the cost of renting a studio, but also to expand their creative freedoms.

Their third, and most recent album, Static & Silence, was released to mixed reviews in September 1997, a full five years after Blind. Although the band retained much of the same sound that they developed on previous albums, they added horns to a number of tracks for Static & Silence. The album was not as successful as Reading, Writing and Arithmetic; however, the single "Summertime" became their most successful hit to date on the UK chart and achieved a top 10 spot on the US Alternative Rock chart. It was The Sundays' third most successful single in the US, behind "Here's Where the Story Ends" (which made it to number 1 on the US Alternative Rock chart) and "Love" (which made it to number 2).

In April 2014, Adam Pitluk, the editor of American Airlines' magazine American Way, tracked down and conducted an interview with Wheeler and Gavurin in which he put forward the idea of a reunion. They responded, "First let's see if the music we’re currently writing ever sees the light of day, and then we can get on to the enjoyable globe-trotting-meets-concert-planning stage."

On 10 October 2014, during an interview on BBC Radio 6 Music's Radcliffe & Maconie radio programme, David Baddiel described Dave Gavurin as his "oldest mate" and stated that "they [Dave and Harriet] are doing music, but whether they ever put that out there, I’ve no idea. They're the most paranoid people about actually putting stuff out there".

In an interview with the C86 Show Podcast released on August 18, 2020, Patrick Hannan revealed that Wheeler and Gavurin had "never stopped making music" and that he had played drums on a number of their tracks. Hannan added that these recordings may never be released.

As of 2025, the band have not released any music since 1997.

The Sundays: Whatever happened to the band behind "Here's Where the Story Ends" & Harriet Wheeler?

https://youtu.be/y-ZmvVr0sM0?si=phqr26lgQ_04_iI3

I thought it was about time we saw a comprehensive overview of The Sundays best work, including their three studio albums, singles and B-sides.

Reading, Writing and Arithmetic contains a second disc of the original album featuring demos, John Peel sessions and live tracks to make up the 10 tracks, plus a bonus 'Don't Tell Your Mother' the B-side of 'Can't Be Sure'.

All credit goes to Wilfully Obscure for many of the live tracks featured here.

Here's Where the Story Ends... The Very Best of is my own compilation of 20 of their very best tracks.

This 6CD box set contains the following albums:

The Sundays - Reading, Writing and Arithmetic (2025, 35th Anniversary Deluxe Edition) (2CD) (1990)

The Sundays - Blind (Expanded Edition) (1992)

The Sundays - The Black Sessions (The Complete Broadcast and Non Broadcast Show) (1992)

The Sundays - Static & Silence (Expanded Edition) (1997)

The Sundays - Here's Where the Story Ends... The Very Best of (2025)

Enjoy!

K

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Track lists

The Sundays - Reading, Writing and Arithmetic (2025, 35th Anniversary Deluxe Edition) (2CD) (1990)

CD1

1 The Sundays - Skin & Bones 4:17

2 The Sundays - Here's Where the Story Ends 3:55

3 The Sundays - Can't Be Sure 3:25

4 The Sundays - I Won 4:22

5 The Sundays - Hideous Towns 3:48

6 The Sundays - You're Not the Only One I Know 3:51

7 The Sundays - A Certain Someone 4:26

8 The Sundays - I Kicked a Boy 2:18

9 The Sundays - My Finest Hour 3:59

10 The Sundays - Joy 4:10

CD2

1 The Sundays - Skin & Bones (John Peel Session 6th March 1989) (B-side of 'Summertime' CD2 Single) 4:11

2     The Sundays    -    Here's Where the Story Ends (The Black Sessions_ Inter Radio, Paris, France, 15th December 1992) (B-side of 'Wild Horses' US cassette single)

3 The Sundays - Can't Be Sure (Demo Version) (B-side of 'Cry' CD1 Single) 3:26

4 The Sundays - I Won (John Peel Session 6th March 1989) 4:22

5 The Sundays - Hideous Towns (Live: Paard van Troje, The Hague, Netherlands, 2nd March 1990) 3:57

6 The Sundays - You're Not the Only One I Know (Demo Version) (B-side of 'Cry' CD1 Single) 3:51

7 The Sundays - A Certain Someone (Live at the Majestic Ventura Theater, Ventura, California, 3rd June 1993) 4:55

8 The Sundays - I Kicked a Boy (Live: Paard van Troje, The Hague, Netherlands, 2nd March 1990) 2:23

9 The Sundays - My Finest Hour (John Peel Session 6th March 1989) 3:10

10 The Sundays - Joy (The Black Sessions: Inter Radio, Paris, France, 15th December 1992) 4:22

11 The Sundays - Don't Tell Your Mother (B-side of 'Can't Be Sure') 2:36

The Sundays - Blind (Expanded Edition) (1992)

1 The Sundays - I Feel 4:04

2 The Sundays - Goodbye 4:46

3 The Sundays - Life & Soul 2:40

4 The Sundays - More 2:45

5 The Sundays - On Earth 2:24

6 The Sundays - God Made Me 4:51

7 The Sundays - Love 4:34

8 The Sundays - What Do You Think? 3:59

9 The Sundays - 24 Hours 3:29

10 The Sundays - Blood On My Hands 3:41

11 The Sundays - Medicine 3:43

12 The Sundays - Wild Horses (B-side of 'Goodbye') (Bonus Track) 4:45

13 The Sundays - Noise (B-side of 'Goodbye') (Bonus Track) 1:47

The Sundays - The Black Sessions (The Complete Broadcast and Non Broadcast Show) (1992)

1 The Sundays - I Won 4:38

2 The Sundays - Can't Be Sure 3:55

3 The Sundays - What Do You Think? 3:55

4 The Sundays - Joy 4:46

5 The Sundays - On Earth 2:31

6 The Sundays - Medicine 3:48

7 The Sundays - My Finest Hour 4:34

8 The Sundays - Here's Where the Story Ends 4:01

9 The Sundays - More 2:54

10 The Sundays - Hideous Towns 4:18

11 The Sundays - A Certain Someone 4:44

12 The Sundays - I Kicked a Boy 2:59

13 The Sundays - Turkish 2:47

The Sundays - Static & Silence (Expanded Edition) (1997)

1 The Sundays - Summertime 3:33

2 The Sundays - Homeward 3:48

3 The Sundays - Folk Song 3:04

4 The Sundays - She 3:07

5 The Sundays - When I'm Thinking About You 4:17

6 The Sundays - I Can't Wait 2:22

7 The Sundays - Cry 4:06

8 The Sundays - Another Flavour 3:18

9 The Sundays - Leave This City 4:23

10 The Sundays - Your Eyes 2:29

11 The Sundays - So Much (Bonus Track) 3:29

12 The Sundays - Monochrome 4:14

13 The Sundays - Nothing Sweet (B-side of 'Summertime') (Bonus Track) 3:03

14 The Sundays - Gone (B-side of 'Summertime') (Bonus Track) 3:51

15 The Sundays - Through the Dark (B-side of 'Cry') (Bonus Track) 4:26

16 The Sundays - Life Goes On (B-side of 'Cry') (Bonus Track) 4:00

17 The Sundays - Turkish (Live: The Variety Playhouse, Atlanta, Georgia, 5th December 1997) (Bonus Track) 2:12

The Sundays - Here's Where the Story Ends... The Very Best of (2025)

1 The Sundays - Skin & Bones 4:18

2 The Sundays - Here's Where the Story Ends 3:56

3 The Sundays - Can't Be Sure 3:26

4 The Sundays - I Won 4:23

5 The Sundays - Hideous Towns 3:49

6 The Sundays - You're Not the Only One I Know 3:52

7 The Sundays - A Certain Someone 4:27

8 The Sundays - I Kicked a Boy 2:19

9 The Sundays - My Finest Hour 4:00

10 The Sundays - Joy 4:11

11 The Sundays - Goodbye 4:47

12 The Sundays - I Feel 4:05

13 The Sundays - More 2:46

14 The Sundays - Love 4:35

15 The Sundays - Wild Horses 4:46

16 The Sundays - Summertime 3:34

17 The Sundays - Cry 4:07

18 The Sundays - So Much 3:30

19 The Sundays - Homeward 3:49

20 The Sundays - When I'm Thinking About You 4:17

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Music weaves itself into the fabric of our emotions, dances through the corridors of memory, and whispers to the soul of who we are. Sharing these stories deepens the connection, turning the experience into something timeless and profound.

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