Wednesday, January 28, 2026

VA - You’re No Big Deal (Grunge, The U.S. Underground And Beyond 1984-1994) [2025] (4 x CDs)

POST PUNK

VA - You’re No Big Deal (Grunge, The U.S. Underground And Beyond 1984-1994) [2025] (4 x CDs)

On first glance, "You’re No Big Deal" looks like someone emptied three different scenes onto the table and hoped chronology would glue it together. Cherry Red usually runs tight thematic lines, but this one feels more like a cultural map than a genre box—wide, scrappy, and occasionally chaotic.

When I call "You’re No Big Deal" one of the most revealing grunge‑era documents in years, I’m not talking about nostalgia or canon polishing. What you’re holding is a four CD excavation of the decade when American underground guitar music was mutating in real time, long before the mainstream tried to package it. Cherry Red issued it in 2025, but the story it tells is older, messier, and far more interesting than the tidy “Seattle explosion” narrative we’ve all heard.

I want you to hear CD1 as a foundation rather than a preface. Green River, Redd Kross, 10 Minute Warning, Bam Bam, Poison 13, early Meat Puppets, these weren’t stepping stones, they were the scene. Their singles and small‑run releases shaped the raw, unvarnished aesthetic that later got labelled “grunge.” And yes, the Australian and New Zealand presence, The Scientists, feedtime, Cosmic Psychos, The Celibate Rifles, isn’t a footnote. It’s a reminder of how much the Seattle crowd absorbed from the Antipodean underground, something musicians always acknowledged even if the history books didn’t.

As you move into the late ’80s material, you’ll notice how wide the net really is. Mudhoney, Blood Circus, Babes in Toyland, Tad, and Skin Yard sit comfortably beside Crunchbird, Helltrout, and Kill Sybil. This is the part of the story I love most, the regional 7‑inches, the basement shows, the bands who never chased polish because immediacy mattered more.

By the time the set reaches the early ’90s, L7, The Breeders, Hole, Screaming Trees, Superchunk, Dead Moon, Melvins, Veruca Salt, you can feel the scene expanding sideways rather than upward. The mainstream may have been watching, but the underground never stopped behaving like the underground. Even the outliers, Cop Shoot Cop, Thrillhammer, Wicker Biscuit, Gary Young, reinforce that this wasn’t a genre so much as a shared attitude.

For me, that’s the real value of "You’re No Big Deal" it restores the noise, the looseness, the stubborn DIY spirit that made this era matter in the first place.

You may ask why does Nirvana not appear in this set. This set is built almost entirely from independent-label masters. So instead of trying to fake a canonical history, they lean into the pre‑mainstream ecosystem, the bands who shaped the soil Nirvana grew out of.

Once you look at it through that lens, the “mess” starts to make more sense, it’s less “the story of grunge” and more “the world grunge came from.”  If you judge it as a grunge compilation, it’s scattershot. If you judge it as a 1984-1994 U.S. underground guitar history, it’s actually pretty sharp, just broader and more unruly than the title suggests. (B)

==========================================================

ALL 

OR

ALL 

OR

ALL 

===========================================================

Track lists

CD1

01 Green River - Come on Down 3:20

02 Redd Kross - Linda Blair 1984 2:03

03 10 Minute Warning - Stooge 3:12

04 Bam Bam - Villains (Also Wear White) 2:52

05 Poison 13 - One Step Closer 3:31

06 Meat Puppets - Swimming Ground 3:06

07 Feast - Look for The Light 4:21

08 Scientists - If It's The Last Thing I Do 3:56

09 Hüsker Dü - Crystal 3:29

10 Malfunkshun - My Only Fan 4:23

11 Dinosaur Jr. - Little Fury Things 3:06

12 Soundgarden - Hunted Down 2:41

13 U-men - Solid Action 2:11

14 Pixies - Caribou 3:14

15 Feedtime - Curtains 4:24

16 Replacements - The Ledge 4:07

17 Flaming Lips - Maximum Dream for Evil Knievel 2:51

18 Green River - This Town 3:23

19 Cosmic Psychos - Can't Come In 2:19

20 Celibate Rifles - Jesus on TV 2:11

21 Happy Flowers - Mom and Dad Like The Baby More Than Me 3:09


CD2

01 Mudhoney - Touch Me I'm Sick 2:32

02 Bundle of Hiss - Rabies 4:05

03 Fluid - Cold Outside 3:18

04 Cat Butt - 64 Funny Cars 4:23

05 Blood Circus - Two Way Street 2:55

06 Babes in Toyland - Dust Cake Boy 3:45

07 Scream - Fucked Without A Kiss 3:16

08 Ultra Vivid Scene - Mercy Seat 4:09

09 Girl Trouble - Riverbed 3:46

10 Crunchbird - Subway Circle 2:25

11 Soundgarden - Flower 3:26

12 Tad - Behemoth 4:08

13 Kill Sybil - Olympia (Single Version) 4:22

14 Love Battery - Between The Eyes 4:28

15 Seaweed - Inside 2:44

16 Skin Yard - Start at The Top 3:06

17 Gas Huffer - Firebug 1:47

18 Mudhoney - In 'n' Out of Grace 5:31

19 Helltrout - Smoking Lounge 2:20

20 Mother Love Bone - Thru Fade Away 3:44


CD3

01 Sonic Youth - Kool Thing 4:06

02 L7 - Shove 3:21

03 Toadies - I Hope You Die 5:20

04 Pavement - From Now On 2:03

05 Thrown Ups - Stockboy, Superhero 0:53

06 Poison Idea - Feel The Darkness 6:02

07 Breeders - Glorious 3:24

08 Dinosaur Jr. - The Wagon 4:54

09 Hole - Teenage Whore 2:57

10 Nomeansno - Body Bag 4:41

11 7 Year Bitch - Lorna 1:56

12 Screaming Trees - Uncle Anesthesia 3:53

13 Mercury Rev - Syringe Mouth 4:04

14 Calamity Jane - Say It 3:14

15 Eric’s Trip - Lost 3:34

16 Thrillhammer - Bleed 3:51

17 Cop Shoot Cop - Discount Rebellion 2:22

18 Treepeople - Ballard Bitter 3:15

19 Nubbin - Macaroni 3:15


CD4

01 Temple of The Dog - Pushin' Forward Back 3:45

02 Monkeywrench - I'm Blown 3:56

03 Stone Temple Pilots - Sex Type Thing 3:37

04 Honcho Overload - Sugarfoot (Single Version) 2:33

05 Luscious Jackson - Keep on Rockin' It 3:39

06 Cheater Slicks - Murder (Live at Cbgbs) 3:51

07 Beasts of Bourbon - Just Right 5:31

08 Gits - Here's to Your Fuck 1:51

09 Superchunk - Precision Auto 2:46

10 Dead Moon - It's O.k. 3:35

11 Melvins - Set Me Straight 2:25

12 Patchouli Sewer - Beauty Sleep 2:12

13 Wool - Kill The Crow 3:19

14 Kim Salmon and The Surrealists - Non Stop Action Groove 3:25

15 Veruca Salt - All Hail Me (Remix) 3:05

16 Sleep Capsule - Eat It's Tongue 2:22

17 Steel Wool - Four Winds 4:03

18 Wicker Biscuit - Creepy Doll 2:42

19 Gary Young - Plant Man 1:58

20 Cellophane - Tripping Fields 1:55

21 St. Johnny - I Hate Rock and Roll 4:10

=============================================================

=============================================================

Music weaves itself into the fabric of our emotions, dances through the corridors of memory, and whispers to the soul of who we are. Sharing these stories deepens the connection, turning the experience into something timeless and profound.

=============================================================

=============================================================

15 comments:

  1. Fantastic diverse comp, some great Aussie tracks also

    ReplyDelete
    Replies
    1. Hi mark i.
      Great to hear. It’s a pretty wild mix, and those Aussie tracks really earn their place in the lineup.
      Glad you enjoyed the ride.
      Cheers.

      Delete
  2. I only recently discovered that Cherry Red, in addition to being THE label of the primeval forest of English pop, is also a fantastic stable for top-notch compilations. They do a fantastic job. Thanks a lot BB!

    ReplyDelete
    Replies
    1. Hi Hervé.
      Cherry Red really has become a powerhouse for deep‑dive compilations. They’ve been building an incredible catalogue of themed sets. Thanks for the kind words.
      Cheers.

      Delete
  3. Cherry Red has a habit of rewriting history. I think Nivana ought to be up there with Pearl Jam and The Melvins. Those bands did not start as Big Names on the scene they were lucky/unlucky to break through.
    As always, the difference between you, and your co-curators on one side and your carefully chosen words against the commercial box sets with their hyped up slogans is very clear.
    For the elderly: calling Sonic Youth or Nomeansno grunge is like calling Pat Boone rock & roll.
    For the young, sorry, I do not pretend to be up with the kids, or is it down with the kids....

    ReplyDelete
    Replies
    1. Hi Richard, I agree with you about the limitations that can exist on the titles of some compilations, which sometimes tend to be a bit too broad and forget the essentials. I also think that for contractual reasons, it's not always possible to place "important" artists wherever you want, because their rights can be exorbitant... I believe the title "grunge" is misleading here; the compilation is an attempt to capture the atmosphere before and during grunge, to take a cross-section of all the artists who greatly influenced this sonic explosion (I'm thinking of Sonic Youth, Pixies, and Hüsker Dü in particular). Nothing more, nothing less. In that sense, I find it successful. The true "grunge" compilation is yet to be invented, with all the "big" artists who deserve to be on it. But it's not difficult to gather the essentials...

      Delete
    2. Hervé, I do not mind the compialtion as such. Let each make their own list. It's what we do, and in that way Top 100s are compiled. One always sees the organizer through such top 100. No problem. The issue is that as long as I am aware labels churn out The Best of whatever, with an accompanying text that rewrites history. I don't know the history of the word grunge. BTW everything (theoretically everything), after The Sex Pistols is post-punk. The KLF obviously included.
      I think the BB & K compilations are fresh for they are not bound by label & legislation. I have strong objection to some, because that is a part of who I am. They (BB especially) claim to order them by CD when a cd is only 79.59 minutes and he almost always puts too much in a cd. He knows it and we both smile, giggle and laugh a bit about it.

      Delete
  4. Thanks BB. Looking forward to a deep dive. It prompted me to go back and create a compilation of Beasts of Bourbon and wow. There two best albums (IMHO) are not available on Apple Music. At the risk of making a request in a comment... perhaps a BoB set is something for you to consider? Thanks again.

    ReplyDelete
  5. (Sorry) Je suis absolument OK avec Richard et je comprends également les arguments de Hervé. Néanmoins, le titre de cette compilation dit: "...1984-1994". Un petit clin d'oeil à Kurt aurait été bienvenu car en 1994, Kurt nous quittait emportant avec lui le mouvement qui l'avait imposé. Nirvana ne s'est pas toujours appelé Nirvana.

    ReplyDelete
    Replies
    1. Les deux derniers paragraphes de présentation (" Vous vous demandez peut-être pourquoi Nirvana n'est pas présent dans cette compilation. Celle-ci est composée presque exclusivement de masters de labels indépendants. Plutôt que de tenter de retracer une histoire canonique, elle s'intéresse à l'écosystème pré-mainstream, aux groupes qui ont façonné le terreau fertile de l'émergence de Nirvana (...). Une fois envisagée sous cet angle, la « discrétion » prend tout son sens : il s'agit moins de « l'histoire du grunge » que de « l'univers dont le grunge est issu ».") te donnent une explication sur cette absence de Nirvana... Bon, on est d'accord, c'est très tiré par les cheveux en effet. Et surtout comme tu dis, évoquer le grunge sans un seul titre de Nirvana, c'est comme évoquer le heavy metal sans Black Sabbath... Pour moi, c'est clairement une histoire de droits impossibles à acquérir. De très nombreuses compilations, dans l'histoire du rock, sont ainsi bancales par manque de cohérence esthétique qui, je le pense, n'est pas dûe aux curateurs, mais bien pour des affaires de gros sous. Et c'est toujours dommage.

      Delete
  6. Sorry, but it is not 10:37 but 15:37 or 03:37 PM (in France)

    ReplyDelete
  7. Thanks a lot, BB. Regards from Brazil!

    ReplyDelete
    Replies
    1. Hi zm.
      Great to hear from Brazil, thanks for the kind message, and glad you enjoyed this Lucky Dip.
      Cheers.

      Delete