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VA - The 130 Greatest Reggae Songs of All Time (Updated Improved Remastered Expanded Super Deluxe Edition) (10CD) (2025)
An updated and expanded edition of my original 2021 compilation, incorporating many recently released better sounding remasters with many taken from the original master tapes.
So, after exhaustive and extensive online research, scrolling through lists and lists of the best reggae songs ever made, voted for on many forums, and based on comments and feedback, plus my own recollections and memories from listening to all the great reggae John Peel played on his BBC Radio 1 nightly evening show, I finally settled upon my top 130 selections of all-time, those that have had the most significant cultural impact and influence over the years.
Along with many classics, a number of great instrumental dub versions of the A-sides which often appeared on the B-sides have been added to the original singles. So many tracks here you just never see on regular run of the mill reggae compilations, due to licensing and music rights issues, it's a fantastic collection of classic reggae.
Bob Marley is widely considered the most influential figure and one of the greatest artists in reggae music, often referred to as the "King of Reggae". Other highly acclaimed and popular reggae artists include Peter Tosh, Jimmy Cliff, Toots and the Maytals, Burning Spear, and Desmond Dekker.
Here's a more detailed look at some of the top reggae artists:
Pioneers and Icons:
Bob Marley:
Marley's global impact on reggae music is undeniable. His music, with its powerful messages of peace, love, and social justice, resonated with audiences worldwide.
Peter Tosh:
A founding member of The Wailers alongside Bob Marley and Bunny Wailer, Tosh was known for his powerful vocals and conscious lyrics.
Jimmy Cliff:
A successful singer, songwriter, and actor, Jimmy Cliff is another iconic figure in reggae, known for hits like "Wonderful World, Beautiful People".
Toots and the Maytals:
Led by the charismatic Toots Hibbert, Toots and the Maytals are known for their energetic performances and upbeat, soulful reggae sound.
Burning Spear:
Winston Rodney, known as Burning Spear, is celebrated for his unique vocal style, Rastafarian beliefs, and conscious lyrics.
Desmond Dekker:
A pioneer of ska and reggae, Desmond Dekker is known for his catchy, upbeat songs like " Israelites".
Other Notable Artists:
Black Uhuru:
A highly influential reggae band known for their innovative sound and conscious lyrics.
Dennis Brown:
Known as the "Crown Prince of Reggae", Dennis Brown was a prolific singer and songwriter.
Sly and Robbie:
A legendary rhythm section known for their innovative production and their work with countless reggae artists.
Lee "Scratch" Perry:
A highly influential producer and musician, known for his experimental and innovative approach to reggae.
Reggae is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
"Do the Reggay" is a reggae song by the Maytals, written by Toots Hibbert, produced by Leslie Kongand released on Beverley's in Jamaica and Pyramid Records in the UK in 1968. It was the first popular song to use the word "reggae" and defined the developing genre by giving it its name. At that time, "reggay" had been the name of a passing dance fashion in Jamaica, but the song's connection of the word with the music itself led to its use for the style of music that developed from it.
Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, skaand rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form that served its largely rural audience as dance music and an alternative to the hymns and adapted chanteys of local church singing), calypso, and also draws influence from traditional African folk rhythms. One of the most easily recognizable elements is offbeat rhythms; staccato chords played by a guitar or piano (or both) on the offbeats of the measure. The tempo of reggae is usually slower-paced than both ska and rocksteady. The concept of call and response can be found throughout reggae music. The genre of reggae music is led by the drum and bass. Some key players in this sound are Jackie Jackson from Toots and the Maytals, Carlton Barrett from Bob Marley and the Wailers, Lloyd Brevett from the Skatalites, Paul Douglasfrom Toots and the Maytals, Lloyd Knibb from the Skatalites, Winston Grennan, Sly Dunbar, and Anthony "Benbow" Creary from the Upsetters. The bass guitar often plays the dominant role in reggae. The bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasized. The guitar in reggae usually plays on the offbeat of the rhythm. It is common for reggae to be sung in Jamaican Patois, Jamaican English, and Iyaric dialects. Reggae is noted for its tradition of social criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal subjects, such as love and socializing.
Reggae is deeply linked to Rastafari, an Afrocentric religion which developed in Jamaica in the 1930s, aiming at promoting pan-Africanism. After the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of Rastafari and spread its gospel throughout the world. Reggae music is an important means of transporting vital messages of Rastafari. The musician becomes the messenger, and as Rastafari see it, "the soldier and the musician are tools for change."
Reggae has spread to many countries around the world, often incorporating local instruments and fusing with other genres. Reggae en Español spread from the Spanish-speaking Central American country of Panama to the mainland South American country of Venezuela and later to the rest of South America. Caribbean music in the United Kingdom, including reggae, has been popular since the late 1960s, and has evolved into several subgenres and fusions. Many reggae artists began their careers in the UK, and there have been a number of European artists and bands drawing their inspiration directly from Jamaica and the Caribbean community in Europe. Reggae in Africa was boosted by the visit of Bob Marley to Zimbabwe in 1980.
In the latter half of the 20th century, phonograph records became of central importance to the Jamaican music industry, playing a significant cultural and economic role in the development of reggae music. "In the early 1950s, Jamaican entrepreneurs began issuing 78s" but this format would soon be superseded by the 7" single, first released in 1949. In 1951 the first recordings of mento music were released as singles and showcased two styles of mento: an acoustic rural style, and a jazzy pop style. Other 7" singles to appear in Jamaica around this time were covers of popular American R&B hits, made by Kingston sound system operators to be played at public dances. Meanwhile, Jamaican expatriates started issuing 45s on small independent labels in the United Kingdom, many mastered directly from Jamaican 45s.
Ska arose in Jamaican studios in the late 1950s, developing from this mix of American R&B, mento and calypso music. Notable for its jazz-influenced horn riffs, ska is characterized by a quarter note walking bass line, guitar and piano offbeats, and a drum pattern with cross-stick snare and bass drum on the backbeat and open hi-hat on the offbeats. When Jamaica gained independence in 1962, ska became the music of choice for young Jamaicans seeking music that was their own. Ska also became popular among mods in Britain.
In the mid-1960s, ska gave rise to rocksteady, a genre slower than ska featuring more romantic lyrics and less prominent horns. Theories abound as to why Jamaican musicians slowed the ska tempo to create rocksteady; one is that the singer Hopeton Lewis was unable to sing his hit song "Take It Easy" at a ska tempo. The name "rocksteady" was codified after the release of a single by Alton Ellis. Many rocksteady rhythms later were used as the basis of reggae recordings, whose slower tempos allowed for the "double skank" guitar strokes on the offbeat.
Reggae developed from ska and rocksteady in the late 1960s. Larry and Alvin's "Nanny Goat" and the Beltones' "No More Heartaches" were among the songs in the genre. The beat was distinctive from rocksteady in that it dropped any of the pretensions to the smooth, soulful sound that characterized slick American R&B, and instead was closer in kinship to US southern funk, being heavily dependent on the rhythm section to drive it along. Reggae's great advantage was its almost limitless flexibility: from the early, jerky sound of Lee Perry's "People Funny Boy", to the uptown sounds of Third World's "Now That We've Found Love", it was an enormous leap through the years and styles, yet both are instantly recognizable as reggae. The shift from rocksteady to reggae was illustrated by the organ shuffle pioneered by Jamaican musicians like Jackie Mittoo and Winston Wright and featured in transitional singles "Say What You're Saying" (1968) by Eric "Monty" Morris and "People Funny Boy" (1968) by Lee "Scratch" Perry.
Early 1968 was when the first bona fide reggae records were released: "Nanny Goat" by Larry Marshall and "No More Heartaches" by the Beltones. That same year, the newest Jamaican sound began to spawn big-name imitators in other countries. American artist Johnny Nash's 1968 hit "Hold Me Tight" has been credited with first putting reggae in the American listener charts. Around the same time, reggae influences were starting to surface in rock and pop music; one example is 1968's "Ob-La-Di, Ob-La-Da" by the Beatles.
The Wailers, a band started by Bob Marley, Peter Tosh and Bunny Wailer in 1963, is perhaps the most recognized band that made the transition through all three stages of early Jamaican popular music: ska, rocksteady and reggae. Over a dozen Wailers songs are based on or use a line from Jamaican mento songs. Other significant ska artists who made the leap to reggae include Prince Buster, Desmond Dekker, Ken Boothe, and Millie Small, best known for her 1964 blue-beat/ska cover version of "My Boy Lollipop" which was a smash hit internationally.
Notable Jamaican producers influential in the development of ska into rocksteady and reggae include: Coxsone Dodd, Lee "Scratch" Perry, Leslie Kong, Duke Reid, Joe Gibbs and King Tubby. Chris Blackwell, who founded Island Records in Jamaica in 1960, relocated to England in 1962, where he continued to promote Jamaican music. He formed a partnership with Lee Gopthal's Trojan Records in 1968, which released reggae in the UK until bought by Saga records in 1974.
Reggae's influence bubbled to the top of the U.S. Billboard Hot 100 charts in late 1972. First Three Dog Night hit No. 1 in September with a cover of the Maytones' version of "Black and White". Then Johnny Nash was at No. 1 for four weeks in November with "I Can See Clearly Now". Paul Simon's single "Mother And Child Reunion" - a track which he recorded in Kingston, Jamaica with Jimmy Cliff's backing group - was ranked by Billboard as the No. 57 song of 1972.
In 1973, the film The Harder They Come starring Jimmy Cliff was released and introduced Jamaican music to cinema audiences outside Jamaica.
Though the film achieved cult status, its limited appeal meant that it had a smaller impact than Eric Clapton's 1974 cover of Bob Marley's "I Shot the Sheriff" which made it onto the playlists of mainstream rock and pop radio stations worldwide. Clapton's "I Shot the Sheriff" used modern rock production and recording techniques and faithfully retained most of the original reggae elements; it was a breakthrough pastiche devoid of any parody and played an important part in bringing the music of Bob Marley to a wider rock audience. By the mid-1970s, authentic reggae dub plates and specials were getting some exposure in the UK on John Peel's radio show, who promoted the genre for the rest of his career. Around the same time, British filmmaker Jeremy Marre documented the Jamaican music scene in Roots Rock Reggae, capturing the heyday of Roots reggae.
While the quality of Reggae records produced in Jamaica took a turn for the worse following the oil crisis of the 1970s, reggae produced elsewhere began to flourish. In the late 1970s and early 1980s, the UK punk rock scene flourished, and reggae was a notable influence. The DJ Don Letts would play reggae and punk tracks at clubs such as The Roxy. Punk bands such as the Clash, the Ruts, the Members, the Police and the Slits played many reggae-influenced songs. Around the same time, reggae music took a new path in the UK; one that was created by the multiracial makeup of England's inner cities and exemplified by groups like Steel Pulse, Aswad and UB40, as well as artists such as Smiley Culture and Carroll Thompson. The Jamaican ghetto themes in the lyrics were replaced with UK inner city themes, and Jamaican patois became intermingled with Cockney slang. In South London around this time, a new subgenre of lovers rock, was being created. Unlike the Jamaican music of the same name which was mainly dominated by male artists such as Gregory Isaacs, the South London genre was led by female singers like Thompson and Janet Kay. The UK Lovers Rock had a softer and more commercial sound. Other reggae artists who enjoyed international appeal in the early 1980s include Third World, Black Uhuru and Sugar Minott. The Grammy Awards introduced the Grammy Award for Best Reggae Album category in 1985.
This fully packed 10CD set contains many rare and extremely hard to find tracks, some of which have never been released on CD or digitally and crackly original 45 vinyl rips are all that exist, with a number featured in their original mono 7" single form. Only the original 45 and 12" single and album mixes are included in this collection, making it a truly authentic reggae compilation.
Compiled as always using the very latest and highest quality digital remasters, with a considerable number of tracks sourced from the original master tapes for superior sound quality and enjoyment.
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Track lists
CD01
1 Willie Williams - Armagideon Time (Original 1979 Studio One 7" Single Version) 5:09
2 Jacob Miller; Augustus Pablo - Baby I Love You So b/w King Tubby Meets the Rockers Uptown (Original 1974 Mango 7" Single Version) 4:59
3 The Cables - Baby Why (Original 1968 Studio One 7" Single Version) 2:50
4 The Jamaicans - Ba Ba Boom 3:20
5 Sister Nancy - Bam Bam b/w Bam Bam (Version) (Original 1982 Techniques 7" Single Version) 6:21
6 Leroy Smart - Ballistic Affair b/w Ballistic Dub (Original 1976 Island Records 7" Single Version) 6:16
7 Sheila Hylton - The Bed's Too Big Without You (Original 1980 Island Records 12" Discomix) 7:58
8 Errol Dunkley; Fe-Me-Time All Stars - Black Cinderella b/w Cinderella (Version) (Original 1972 Fe-Me-Time 7" Single Version) 6:21
9 Bunny Wailer - Blackheart Man 6:17
10 The Heptones - Book of Rules b/w Book of Rules (Version) (Original 1973 Jaywax 7" Single Version) 6:23
11 Dr. Alimantado - Born for a Purpose (Original 1977 12" Single Version) 5:52
12 Bob Marley and the Wailers - Buffalo Soldier 4:16
CD02
13 Alton Ellis; Alton & Sound Dimension - Can I Change My Mind b/w Change My (Version) (Original 1969 Studio One 7" Single Version) 10:56
14 Max Romeo; Lee "Scratch" Perry & The Full Experience - Chase the Devil / Disco Devil (The Jamaican Discomix) 14:24
15 Eric Donaldson - Cherry Oh Baby (Original 1971 Jaguar 7" Single Version) 3:03
16 The Heptones - Cool Rasta b/w Rasta Dub (Original 1976 Cancer 7" Single Version) 5:51
17 Bob Marley and the Wailers - Could You Be Loved (Original 1980 12" Mix) 5:25
18 Junior Byles - Curley Locks b/w Curley Locks Dub (Original 1974 Orchid 7" Single Version) 6:33
19 The Abyssinians - Declaration of Rights b/w Version of Rights (Original 1971 Coxsone Records 7" Single Version) 6:30
20 Poet and the Roots - All Wi Doin' Is Defendin' / Defense (Dub) (Original 1977 12" Single Version) 8:47
21 The Maytals - Do the Reggay (Original 1968 Beverley's 7" Single Version) 3:08
22 Phyllis Dillon - Don't Stay Away 2:33
23 Third World - 1865 (96 Degrees in the Shade) 4:28
CD03
24 Peter Tosh - Equal Rights 5:59
25 The Ethiopians - Everything Crash 2:32
26 Ken Boothe - Everything I Own (Original 1974 UK 7" Single Version) 3:44
27 Junior Byles - Fade Away b/w Fading Dub (Original 1975 Well Charge 7" Single Version) 6:39
28 Marcia Griffiths; Sound Dimension - Feel Like Jumping b/w Feel Like Jumping Pt. 2 (Original 1968 Studio One 7" Single Version) 7:20
29 Elizabeth Archer and the Equators - Feel Like Makin' Love b/w Feel Like Makin' Love (Version) 7:08
30 The Maytals - 54-46 That's My Number (Original 1968 Beverley's 7" Single Version) 2:53
31 The Congos - Fisherman b/w Fisherman Dub (Original 1977 12" Single Version) 11:09
32 Toots and the Maytals - Funky Kingston 4:55
33 Bob Marley and the Wailers - Get Up, Stand Up 3:17
34 Black Uhuru - Guess Who's Coming to Dinner? (Original 1980 Island Records 12" Discomix) 6:02
35 Steel Pulse - Handsworth Revolution b/w Revolution Dub 9:51
CD04
36 Jimmy Cliff - The Harder They Come (Original 1972 Island Records 7" Single Version) 3:08
37 The Mighty Diamonds; The Revolutionaries - Have Mercy b/w Merciful Dub (Front Line Reggae 12" Discomix) 6:38
38 Dennis Brown; The Observer Strike - Here I Come b/w Head Shot (Original 1977 Observer 7" Single Version) 6:15
39 Johnny Nash - Hold Me Tight 2:43
40 Susan Cadogan; The Upsetters - Hurt So Good b/w Rub a Dub (Original 1974 Perries 7" Single Version) 6:44
41 Pat Kelly - I Am Coming Home 3:46
42 Lee "Scratch" Perry - (I Am) The Upsetter 3:06
43 Johnny Nash - I Can See Clearly Now 2:48
44 The Mighty Diamonds - I Need a Roof b/w Roof Top Dub (Original 1975 Channel 1 7" Single Version) 5:32
45 Bob Marley and the Wailers - I Shot the Sheriff 4:40
46 Dobby Dobson - (I'm a) Loving Pauper 3:16
47 Culture; The Mighty Two - I'm Not Ashamed b/w I'm Not Ashamed (Version) (Original 1977 Joe Gibbs Record Globe 7" Single Version) 7:48
48 Alton Ellis - I'm Still in Love (Original 1967 Studio One 7" Single Version) 3:26
49 Bob Andy - I've Got to Go Back Home (Original 1966 Studio One 7" Single Version) 3:15
50 Bob Marley and the Wailers - Is This Love / Is This Love (Dub) 8:02
CD05
51 Desmond Dekker & the Aces - Israelites 2:35
52 Bob Marley and the Wailers - Jamming (Original 1977 7" Single Version) / Jamming (Dub) 6:28
53 The Slickers - Johnny Too Bad 3:10
54 Lord Creator - Kingston Town b/w Kingston Town Dub (Original 1969 Clan Disc 7" Single Version) 6:24
55 Steel Pulse - Ku Klux Klan (Original 1978 12" Single Mix) 6:46
56 Peter Tosh - Legalize It 4:40
57 The Pioneers - Let Your Yeah Be Yeah 3:08
58 Errol Dunkley & the Gaytones - A Little Way Different (Original 1972 7" Single Version) 2:57
59 John Holt; Sound Dimension - A Love I Can Feel b/w A Love I Can Feel (Version) (Original 1970 Coxsone 7" Single Version) 4:58
60 Carlton & His Shoes - Love Me Forever 3:52
61 Nicky Thomas - Love of the Common People 2:17
62 Peter Tosh - Mama Africa 7:59
63 The Paragons; Dr. Alimantado; King Tubby - Man Next Door (also known as "Quiet Place" or "I've Got to Get Away") / Poison Flour / I Shall Fear No Evil / A Noisy Place 9:22
64 Jimmy Cliff - Many Rivers to Cross 2:43
CD06
65 Burning Spear - Marcus Garvey b/w Marcus Garvey (Version) (Original 1974 Fox 7" Single Version) 7:19
66 Dennis Brown & Prince Mohammed - Money in My Pocket (1978 Joe Gibbs Record Globe 12" Extended Discomix) 8:12
67 The Maytals - Monkey Man (Original 1969 Beverley's Records 7" Single Version) 3:49
68 Freddie Notes & The Rudies - Montego Bay 2:24
69 Gregory Isaacs - Mr. Cop b/w Mr. Cop (Version) (Original 1976 Micron Music 7" Single Version) 7:54
70 Millie Small; Ernest Ranglin & Orchestra - My Boy Lollipop b/w My Boy Lollipop (Instrumental) (Original 1964 Fontana 7" Single Version) 4:14
71 Slim Smith & The Uniques - My Conversation (Original 1968 Lee's 7" Single Version) 3:28
72 Gregory Isaacs & Trinity - My Number One (Chunnie You Are the Number One) (Original 1977 Hit 12" Single Version) 7:13
73 Larry and Alvin - Nanny Goat (Original 1968 Studio One 7" Single Version) 2:23
74 U-Roy - Natty Rebel b/w Natty Rebel (Version) (Original 1976 Volcano 7" Single Version) 7:30
75 Bob Marley and the Wailers - Natural Mystic 3:27
76 Gregory Isaacs - Night Nurse (Original 1982 12" Long Version) 7:08
77 Johnny Clarke; The Aggrovators - None Shall Escape the Judgement b/w This A the Best Version (Original 1975 Justice 7" Single Version) 6:52
CD07
78 Third World - Now That We've Found Love (Original 1978 12" Version) 8:17
79 Misty in Roots - Oh Wicked Man b/w Oh Wicked Man (Version) (Original 1978 People Unite 7" Single Version) 6:16
80 Junior Reid - One Blood 3:48
81 Bob Marley and the Wailers - One Love/People Get Ready / One Love/People Get Ready (Dub) 6:39
82 The Mighty Diamonds - Pass the Kouchie (Original 1981 Music Works Records 12" Single Version) 6:01
83 Junior Murvin; The Upsetters - Police & Thieves b/w Grumblin' Dub (Original 1976 Island Records 7" Single Version) 7:06
84 John Holt - Police in Helicopter (Original 1983 Greensleeves 12" Single Version) 7:49
85 The Maytals - Pressure Drop (Original 1969 Beverley's Records 7" Single Version) 2:59
86 Steel Pulse - Prodigal Son b/w Prodigal Son (Dub) 10:19
87 The Techniques w; Tommy McCook & The Supersonics - Queen Majesty 3:30
88 Delroy Wilson - Rain from the Skies (Original 1968 Studio One 7" Single Version) 2:31
89 Tony Tribe - Red Red Wine (Original 1969 Downtown 7" Single Version) 2:56
90 Bob Marley and the Wailers - Redemption Song 3:47
CD08
91 Marlene Webber - Right Track (Original 1977 Rattie Soul 12" Single Version) 5:51
92 The Melodians - Rivers of Babylon (Original 1970 Beverley's Records 7" Single Version) 3:24
93 Bob Marley and the Wailers - Satisfy My Soul 4:31
94 The Abyssinians - Satta Massagana b/w Satta Massagana Dub (Original 1976 Penetrate 7" Single Version) 6:59
95 Culture; The Mighty Two - See Them a Come b/w Informer Version (Original 1977 Joe Gibbs Record Globe 7" Single Version) 6:47
96 Desmond Dekker & the Aces - 007 (Shanty Town) 2:32
97 Janet Kay - Silly Games (Original 1977 Arawak 12" Extended Single Version) 6:27
98 Horace Andy; Underground Vegetable - Skylarking b/w Skylarking (Version) (Original 1972 Bongo Man 7" Single Version) 6:09
99 Burning Spear - Slavery Days b/w I and I (Slavery Days) 7:17
100 Capital Letters - Smoking My Ganja (Original 1978 Greensleeves 12" Special Mix) 8:44
101 Bob Marley and the Wailers - So Much Trouble in the World 3:59
102 J.C. Lodge & Prince Mohammed - Someone Loves You, Honey / One Time Daughter (Original 1980 Joe Gibbs Music 12" Single Version) 7:30
CD09
103 Linton Kwesi Johnson - Sonny's Lettah (Anti-Sus Poem) b/w Iron Bar Dub 7:36
104 Gregory Isaacs - Soon Forward (Original 1979 Front Line 12" Mix) 6:33
105 Bob Marley and the Wailers - Stir It Up 5:31
106 The Melodians - Sweet Sensation (Original 1969 Beverley's Records 7" Single Version) 3:51
107 Pat Kelly; Dillinger - Talk About Love (Original 1978 Chanan-Jah 12" Discomix) 7:02
108 J.C. Lodge - Telephone Love (Original 1988 12" Mix) 6:18
109 Jacob Miller - Tenement Yard b/w Tenement Dub (Original 1975 Arab 7" Single Version) 5:24
110 Bob Marley and the Wailers - Three Little Birds 3:00
111 The Heptones - Through the Fire I Come (12" Extended Mix) 6:35
112 The Paragons feat. John Holt - The Tide Is High (Original 1967 Treasure Isle 7" Single Version) 2:43
113 Bob Marley and the Wailers - Trench Town Rock (Original 1971 Tuff Gong 7" Single Version) 3:00
114 Culture; The Mighty Two - Two Sevens Clash b/w Two Sevens Clash (Version) (Original 1977 Joe Gibbs Record Globe 7" Single Version) 7:08
115 Bob Andy - Unchained (Original 1966 Studio One 7" Single Version) 2:39
116 Althea & Donna; Joe Gibbs & The Professionals - Uptown Top Ranking b/w Calico Suit (Original 1977 Joe Gibbs Record Globe 7" Single Version) 7:35
CD10
117 Jimmy Cliff - Vietnam 4:48
118 Bob Marley and the Wailers - Waiting in Vain / Waiting in Vain (Dub) 8:10
119 Linton Kwesi Johnson - Want Fi Goh Rave (Original 1979 12" Long Version) 7:20
120 Max Romeo & The Upsetters - War Ina Babylon (1976 12" Extended Version) 8:16
121 The Paragons w; Tommy McCook & The Supersonics - Wear You to the Ball (Original 1967 Treasure Isle 7" Single Version) 2:37
122 Dennis Brown - Westbound Train 3:03
123 The Cables - What Kind of World (Original 1968 Studio One 7" Single Version) 3:02
124 Glenroy Richards - Wicked Can't Run Away b/w Ranking Dub (Original 1977 Grove Music 7" Single Version) 5:53
125 Jimmy Cliff - Wonderful World, Beautiful People 3:13
126 Jimmy Cliff - You Can Get It If You Really Want 2:41
127 The Techniques - You Don't Care (a.k.a. You'll Want Me Back) 2:39
128 Dawn Penn - You Don't Love Me (No, No, No) (Original 1967 Coxsone / Studio One 7" Single Version) 4:31
129 Bob & Marcia; Harry J. All Stars - Young, Gifted and Black b/w Young, Gifted and Black (Instrumental) (Original 1969 Harry J Records 7" Single Version) 6:26
130 Bob Marley and the Wailers - No Woman, No Cry (Live at the Lyceum Theatre, London, July 18, 1975) (Original 1975 7" Single Version) 7:09
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Music weaves itself into the fabric of our emotions, dances through the corridors of memory, and whispers to the soul of who we are. Sharing these stories deepens the connection, turning the experience into something timeless and profound.
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