SUNDAY JAZZ
DUK PEARSON
Duke Person - Mosaic Select 08 [2003] (3 x CDs)
This three‑disc set gathers Duke Pearson’s core Blue Note work from the mid‑sixties, presenting a portrait of a musician whose influence ran far deeper than his name often suggests. As pianist, composer, arranger, and later A&R director, Pearson shaped the label’s sound during a period when hard bop was widening into more lyrical, harmonically rich territory. Mosaic’s chronological layout lets the sessions unfold naturally, revealing how his writing and ensemble direction developed across a remarkably productive stretch.
The early material highlights Pearson’s gift for melody. His themes are clear, balanced, and quietly distinctive, giving soloists strong frameworks without locking them into rigid structures. The small‑group sessions with Donald Byrd, Joe Henderson, and Pepper Adams show how effectively Pearson could anchor a band: his touch is light but decisive, shaping the rhythm without drawing attention away from the horns. Pieces like “Chant” and “Jeannine” demonstrate his ability to write lines that feel both modern and rooted in blues phrasing.
The arrangements become more ambitious as the set moves forward. Pearson’s work with larger ensembles reveals a deep understanding of colour and contrast. Brass and reeds are placed carefully, creating textures that support rather than overwhelm the rhythm section. The writing carries a warmth that distinguishes his approach from the sharper edges of other arrangers of the period. Even in more complex charts, the music retains a sense of ease.
The final sessions show Pearson refining his balance between structure and openness. His piano playing becomes more spacious, and the compositions lean toward modal shapes that give the soloists wider room. Across all three discs, the set confirms Pearson as a central figure in Blue Note’s evolution: a musician whose quiet authority shaped the sound of an era. (B)
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Track lists
CD1
01 Duke Pearson - The Phantom 10:19
02 Duke Pearson - Blues for Alvina 3:08
03 Duke Pearson - Bunda Amerela (Little Yellow Streetcar) 5:46
04 Duke Pearson - Los Ojos Alegres 6:17
05 Duke Pearson - Say You're Mine 5:38
06 Duke Pearson - The Moana Surf 7:25
07 Duke Pearson - Theme From Rosemary's Baby 3:17
08 Duke Pearson - I Don't Know 6:59
09 Duke Pearson - Captain Bicardi 5:45
10 Duke Pearson - Dialogo 3:37
11 Duke Pearson - Xibaba 6:32
12 Duke Pearson - Once I Loved (O Amor En Paz) 5:22
CD2
01 Duke Pearson - Gira, Girou (Round and Round) 7:19
02 Duke Pearson - Hermeto 5:42
03 Duke Pearson - Lost in The Stars 3:28
04 Duke Pearson - It Could Only Happen With You 3:37
05 Duke Pearson - Stormy 3:37
06 Duke Pearson - Book's Bossa 6:37
07 Duke Pearson - Emily 4:01
08 Duke Pearson - Bloos 7:39
09 Duke Pearson - I Don't Care Who Knows It 3:10
10 Duke Pearson - A Beautiful Friendship 6:39
11 Duke Pearson - Horn In 5:53
12 Duke Pearson - Canto Ossanha 6:38
13 Duke Pearson - Sandalia Dela 3:31
14 Duke Pearson - Tears 3:30
15 Duke Pearson - Lamento 2:53
16 Duke Pearson - Upa Neguinho 1:58
CD3
01 Duke Pearson - Stella By Starlight 4:40
02 Duke Pearson - Clara 2:45
03 Duke Pearson - Give Me Some Love 3:25
04 Duke Pearson - Christo Redentor 3:54
05 Duke Pearson - Little Song 2:54
06 Duke Pearson - My Love Waits (O Meu Amor Espera) 4:36
07 Duke Pearson - How Insensitive (Insensalez) 2:15
08 Duke Pearson - Sleigh Ride 6:26
09 Duke Pearson - Little Drummer Boy 5:42
10 Duke Pearson - Have Yourself A Merry Little Christmas 2:01
11 Duke Pearson - Jingle Bells 5:12
12 Duke Pearson - Santa Claus is Coming to Town 4:09
13 Duke Pearson - Go Tell it to The Mountain 3:47
14 Duke Pearson - Wassail Song 3:03
15 Duke Pearson - Silent Night 4:15
16 Duke Pearson - O Little Town of Bethlehem 1:16
17 Duke Pearson - Old Fashioned Christmas 2:26
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Music weaves itself into the fabric of our emotions, dances through the corridors of memory, and whispers to the soul of who we are. Sharing these stories deepens the connection, turning the experience into something timeless and profound.
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Thanks Butterboy for another fine album in this series. That "Christo Redentor" is a magnificent piece of music. I first heard it on Charley Musselwhite's "Stand Back" LP back in the late 1960s, which led me to then check out Duke Pearson.
ReplyDeleteHi Bob,
DeleteAlways great to hear from you, and you’ve picked out a beauty. Christo Redentor really is one of those pieces that stops time, that slow, luminous rise, the way Pearson shapes the harmony so it feels both sacred and weightless. Your memory of first hearing it on Musselwhite’s Stand Back is spot‑on; that version has a haunting glow, and it’s no surprise it sent you straight to Pearson’s own work.
Finding the thread between those two recordings says a lot about how deeply you listen.
Thanks for sharing the story, it adds something special to the post.
I did a special post Christo Redentor, Find it here
https://pixeldrain.com/u/KaPpGtC5
Cheers.
Thank you, maestro!! 😊😍
ReplyDeleteMy pleasure, AyreEspañol.
DeleteEnjoy!
Cheers.
I absolutely love these Mosaic sets!
ReplyDeleteHi JWDen,
DeleteThey really are something special. Mosaic had a way of presenting an artist’s world with such care that you feel like you’re stepping right into the room with them. They are all very palatable and not overly long but still lengthy enough so you can really get into the vibe.
This Pearson’s set, in particular, has that calm, luminous quality, beautifully played, beautifully curated making it an endlessly rewarding to (re)visit.
I think I have the whole set of Mosaic Select, a new one each week until year end.
Cheers.
Thanks for this. While I have much by him from the first half of the 1960's, (including his work as a sideman), this period covered by this collection (late 1960's) I haven't heard. One article I read called these recordings his "exotic period". Sounds intriguing. Looking forward to hearing.
ReplyDeleteHi Richard,
DeletePearson’s early‑to‑mid‑60s work, both as leader and sideman, has that clean, elegant hard‑bop clarity, so stepping into his late‑60s recordings really does feel like entering a different room. “Exotic period” is a fitting description, the colours shift, the arrangements open up, and he starts weaving in textures and moods that weren’t part of his earlier palette.
It’s a fascinating stretch of his career, full of curiosity and atmosphere. I think you’ll enjoy hearing how he pushed his sound forward.
Cheers.
Hi BB. Thanx for this interesting post. Just as a friendly suggestion, the correct writing (in portuguese) for track 03 Duke Pearson - Bunda Amerela (Little Yellow Streetcar) on CD1 is: "Bonde Amarelo" or "Bondinho Amarelo" (that is the correct translation for Little Yellow Streetcar. Just as a curious and funny fact: "Bunda" in portuguese = 'butt' or 'ass' in english. Anyway a very good post for us.
ReplyDeleteHi zm,
DeleteThank you for the sharp eye and the friendly correction, much appreciated
I know little Portuguese, so it went unnoticed.
The Discoge page says the same - https://www.discogs.com/release/4049230-Duke-Pearson-Mosaic-Select
Thanks again for the help and the good humour.
Cheers.
Warm regards, dude.
Delete