Clifford Jordan - The Complete Strata-East Sessions  (6 x CD's)
Tenor saxophone grandmaster Clifford Jordan, who produced the seven dates that comprise The Complete Clifford Jordan Strata-East Sessions (Mosaic), performs on only three of the six CDs that comprise this box set. But his extreme individualism suffuses the proceedings, a fascinating snapshot of an under-documented period of hardcore jazz expression in New York.
The chronology begins in January 1968, when Jordan-who had led LPs for Blue Note, Riverside and other labels, and consequentially sidemanned with, among others, Horace Silver, J.J. Johnson, Max Roach and Charles Mingus-recorded Edward Blackwell (Shades of Edward Blackwell), Charles Brackeen (Rhythm X) and Wilbur Ware (Super Bass) for a venture called Frontier Records. During the early ’70s, Strata-East released Rhythm X (January 1968), Cecil Payne’s Zodiac (December 1968), Pharaoh Sanders’ Izipho Zam (My Gifts) (January 1969) and Jordan’s in the World (spring 1969). The latter three are long out of print; Super Bass was minimally distributed in 2012; Shades is previously unreleased. Under Strata-East’s auspices in 1973, Jordan made his personal masterpiece, Glass Bead Games (available as a CD since 2007), with two synchronous, Billy Higgins-propelled rhythm sections-one with Cedar Walton and Sam Jones, the other with Stanley Cowell and Bill Lee. All contribute compositions. No better representation exists of Jordan’s narrative gifts-his lyricism, wit, mastery of changes-playing and vocalized tone, broad and burnished at all tempos and harmonic contexts, equally comfortable deploying the bright colors of the upper register and the dark hues of the tenor’s bottom.
For In the World, Jordan assembles a three-horn frontline with Julian Priester (a brother Chicagoan and DuSable H.S. alum) on trombone and either Don Cherry or Kenny Dorham on trumpet. The pianist is Wynton Kelly; the bassists-sometimes separately, sometimes together-are Ware and DuSable-ite Richard Davis. Albert Heath plays drums on Cherry’s tunes; Blackwell and Roy Haynes play in tandem on Dorham’s. For all its conceptual ambition, the finished product is middling; the ensemble sounds under-rehearsed and Kelly-prominent in the mix on a badly out-of-tune piano-seems stymied by the raw materials. The piano is less distracting on Zodiac, on which the Kelly-Ware-Heath rhythm section swings tone-masters Payne and Dorham through five of the leader’s well-wrought originals, which address bop, funk, and soul-jazz flavors. On the three extended modal excursions of Izipho Zam, it is barely noticeable as Lonnie Liston Smith patiently vamps, keeping home base in view for Sanders and guitarist Sonny Sharrock while they illuminate the outer partials on a groove palette from five drummers, among them Billy Hart, Chief Bey and, when not yodeling, Leon Thomas.
The remainder is pianoless. On Rhythm X, Cherry, Charlie Haden and Blackwell collaborate with Oklahoma-born tenor saxophonist Brackeen, a blues shouter with his own take on Ornette Coleman’s language. Blackwell’s date includes meandering drum chants by an ensemble including Higgins, Dennis Charles and Roger Blank, and “Farid,” a minor blues by tenor saxophonist Luqman Lateef (a sonic dead-ringer for Jordan), on which Blackwell and Ware propel Lateef and Cherry through clarion solos, setting up Blackwell’s second-line-meets-West-Africa solo. The same ensemble operates on Super Bass, Ware’s second recording as a leader, 11 years after The Chicago Sound. It’s a major addition to the bass lexicon. The Ware-Blackwell rapport is evident on “Wilbur’s Red Cross” (based on the 1944 Charlie Parker line), featuring Jordan’s blues holler and an outside-in declamation by Cherry that embodies the qualities Miles Davis dug at the time. On Jordan’s “Mod House,” a blues, Ware’s indomitable time feel and catgut tone reveal Malachi Favors’ roots and branches. Jordan composes a gorgeous reharmonized intro to “A Real Nice Lady,” conducts an adult conversation with Cherry on her qualities, then allows final word to the leader, a Jimmy Blanton acolyte, who uncorks a variant on the Ellington-Blanton 1940 duo on “Sophisticated Lady.” Ware also offers two extended solo pieces-including a free-associative 10-minute invention titled “Symphony for J.R.” that finds its way to Blanton’s “J.B. Blues”-and a lively take on his ditty “Riff Raff,” from a 1956 Chess date led by Johnny Griffin. (Originally Published February 27, 2014 (jazztimes.com))
01 Clifford Jordan Vienna 17:03
02 Clifford Jordan Doug's Prelude 4:47
03 Clifford Jordan Ouagoudougou 10:47
04 Clifford Jordan 872 7:16
01 Clifford Jordan Martin Luther King, Jr./I Know Love 7:00
02 Clifford Jordan Girl, You Got A Home 10:53
03 Clifford Jordan Slide Hampton 4:25
04 Clifford Jordan Follow Me 7:07
05 Clifford Jordan Flying Fish 12:23
01 Clifford Jordan Rhythm X 8:03
02 Clifford Jordan Hour Glass 11:37
03 Clifford Jordan Charles Concept 6:50
04 Clifford Jordan C. B. Blues 7:53
05 Clifford Jordan That Moment Of Glance 4:53
06 Clifford Jordan Farid 9:02
07 Clifford Jordan Drum Expose 5:09
08 Clifford Jordan The Eternal Rhythm 5:00
09 Clifford Jordan In Walked Buhaina 5:53
10 Clifford Jordan Shades Of General Lefty 6:00
01 Clifford Jordan Prince Of Peace 8:48
02 Clifford Jordan Balance 12:40
03 Clifford Jordan Izipho Zam 28:49
01 Clifford Jordan Mod House 5:45
02 Clifford Jordan Symphony For Jr 10:09
03 Clifford Jordan Wilbur's Red Cross 8:17
04 Clifford Jordan A Real Nice Lady 7:32
05 Clifford Jordan For Frazier, Felicia, Veneida & Bernard 7:24
06 Clifford Jordan By Myself 7:40
07 Clifford Jordan Mod House (Incomplete Alternate Take) 2:45
08 Clifford Jordan For Frazier, Felicia, Veneida & Bernard (Alternate Take) 7:32
09 Clifford Jordan Wilbur Reflects 5:13
01 Clifford Jordan Powerful Paul Robeson 5:42
02 Clifford Jordan The Glass Bead Games 4:32
03 Clifford Jordan Prayer To The People 4:11
04 Clifford Jordan Cal Massey 2:40
05 Clifford Jordan John Coltrane 6:49
06 Clifford Jordan Eddie Harris 4:19
07 Clifford Jordan Biskit 5:36
08 Clifford Jordan Shoulders 5:19
09 Clifford Jordan Bridgework 3:46
10 Clifford Jordan Maimoun 5:40
11 Clifford Jordan Alias Buster Henry 8:19
12 Clifford Jordan One For Amos 6:54
Hi! The links are directin to images, not to the compressed files.ReplyDelete
Thanks for letting me know.
All fixed now.
Thanks for more Sunday jazz Butterboy.ReplyDelete
Hi Bob Mac.Delete
What would Sundays be without a bit of Jazz.
You're welcome, Guitarradeplastico,scraping oddities. Enjoy!Delete
Hi alabama jazz fan.Delete
Glad you have found so many sets you like. I won't respond to each one you have left a message but know that I appreciate all your comments and know you are enjoying what you find. Have fun listening to these sets.
Hey BB.Thanks for all these Mosaic box sets. Need to take a long road trip some time soon so I can enjoy them all!ReplyDelete
Thanks for that Jimbo.Delete
It requires time, that is for sure. Some magic moments in every box set.